Right then, one more time this year and that's it. Probably.
Presenting Nutty, dated December 25th 1982.
First the basics: Nutty was published by DC Thomson between 1980 and 1985 (it merged with The Dandy) and was their best attempt at rivalling IPC's more anarchic comedy style.
Not that you'd know that from looking at the covers of early issues - Characters like Doodlebug (a small mouse-like creature who loved drawing), Wacky (a wacky inventor) and Scoopy (see below) would appear promising more fun inside and might as well have been Korky the Cat or Biffo the Bear.
However there was a character who appeared on the back cover whose popularity would speedily eclipse all others and take over not only the front cover but eventually the centre two-page spread too. I am, of course (as you can see from the cover depicted above), referring to Bananaman. Which is a really fun word to type. Bananaman.
Bananaman is probably one of the top 5 most important characters in British comics history so I'll analyse him in detail at a later time but here he is almost a year before his TV cartoon debut.
So on to the rest of this issue. First up Jay R. Hood ("he's anything but good!") is another comics bad boy, named after the then-popular villainous character from Dallas. He debuted about the same time as Junior Rotter in Whizzer and Chips who had the same gimmick. And oddly both JRs had a nemesis called Sue Helen.
Here he is trying to trap Santa:
Peter Pest is your standard-issue annoying little brother character, usually scaring away big sis' potential boyfriends.
The Snobbs and the Slobbs is another class war strip between neighbours at opposite ends of the social spectrum. This is something IPC comics had already had a long history of (Ivor Lott and Tony Broke, The Upper Crusts and the Lazy Loafers etc.) but DC Thomson had few. This may be a good thing as in spite of art from John Geering it feels quite mean-spirited in its depiction of poverty.
Nip and Rrip is a sort-of Dennis and Gnasher-ish pairing of a bad boy and his bad cat. And oddly has two thirds of the names of Korky the Cat's nephews from The Dandy.
Incidentally, I just did a Google search for Nip Lip and Rrip and Google checked I didn't mean to search for "nip slip". I did not, Google, I did not.
Next up is Scoopy "The runaround hound with a nose for news", a newspaper's literal office dogsbody who, after a long day running errands for the editor, finally gets his Christmas reward.
Then we get another in a long line of DC Thomson food-obsessed characters. After Greedy Pigg, Hungry Horace and Tom Tumm comes the unfortunately-named Nosher.
Yep. Nosher. And that's him in his bedroom full of cook books and food marketing posters. That's why James Corden left Hollyoaks, you know. No really, look it up.
There's also weird superhero parody Supergnat, deservedly forgotten.
And Sports Fan, a girl called "Fan". Who liked sports. This week: Curling!
I'm genuinely worried about Snoozer, a narcoleptic with alarmingly unsympathetic parents.
Seriously, your kids got a problem. Maybe it's his thyroids. Stop being annoyed by him and get him to a doctor!
The Wild Rovers is a fun strip, not a million miles from The Beano's Pup Parade, featuring a bunch of stray dogs with distinct (and in some cases racially-insensitive) personality types constantly trying to avoid capture by the mean old dog catcher. Who would take them to the pound. Where they would eventually be humanely destroyed.
I assume that happened in the final issue.
The School Belles is about a tough gang of private school girls who really feel like they belong in Bunty.
And on the back cover, the only other long running character from Nutty (other than B-Man): Cuddles.
The toxic toddler lived on for years in The Dandy as ret-conned twin brother of Dimples but not before being the cover star of Hoot! after the demise of Nutty. It's interesting to see from this strip just how far Barrie Appleby's style evolved.
So on to the main feature: Bananaman!
The centre pages here give an insight into Christmas back where he comes from...
Yes, that's right: The Moon. In the beginning Bananaman's origin had him being rocketed to Earth from the Moon, not to save his life, his parents were just fed up with him!
He gets his powers from bananas because "The Moon is banana-shaped" apparently.
Of course, all this got wiped out of continuity after the TV show.
Tuesday, 30 December 2014
Monday, 29 December 2014
Christmas Post No5: Cheeky 1977
At the same time you could have bought this Christmas issue of Krazy you could also have bought spin-off comic Cheeky, dated 31st December 1977.
Yes, Cheeky, he of the massive overbite in The Krazy Gang, was granted his own spin-off comic in this year. This was an odd choice for IPC but it paid off with a fondly-remembered comic which lasted until 1980. Strange too that one of the only other comics characters to get their own spin-off was Plug of the Bash Street Kids who was granted his own title by DC Thomson, also in 1977.
Anyway, the comic itself had a unique format, built around a week in the life of the eponymous joker. For starters we'd get a strip of Cheeky wandering around his home town (on his way to school usually) and trading jokes and riddles with the residents.
The various characters tended to lend themselves to different types of joke (there was a GP for doctor doctor jokes, a school dinner lady for bad food jokes, a bizarre sentient door for knock knock jokes) and I'll look at them in more detail some other time.
Then Cheeky would provide a segue into another strip. Here for example, Cheeky wanders over to the headquarters of The Skateboard squad to see what they've got for Christmas...
...before going home to have Christmas dinner with his family. After which he puts on the telly to watch the Christmas Special episode of 6 Million Dollar Gran.
A strip about a "bionic" pensioner and the children she has to look after. Drawn by Ian Knox it was later renamed Robot Granny when Cheeky merged into Whoopee! and the Steve Austin reference grew stale.
Then Cheeky gets a photo taken with all his family before falling asleep reading a thrilling adventure story. We get to see the story, which is the final chapter of a serial strip about a "brave investigator of the supernatural", a suave, chiselled tough guy with the copyright-baiting name of "James Bold". Here, he finally catches the villain known as "The Wolf" before getting some well-earned rest.
Next day, Cheeky goes for a Boxing Day feast with all his friends. Oddly, there seems to be an interloper in the form of long-time children's favourite character Billy Bunter. Not sure who would have owned the rights to Bunter then but I don't think he'd been seen in a British comic for quite some time.
Of course, Bunter's stock in trade was acquiring as much food as possible without paying so he is behaving completely in character by pretending to be Micky Mimic. Even though Micky is a character from Krazy, not Cheeky. But then, Krazy's Pongo Snodgrass is also at the feast.
Incidentally, Blogger's spell-check is questioning my use of "Krazy" and "Pongo" but is completely fine with "Snodgrass".
Next Cheeky takes Baby Burpo to see a pantomime (a two-page Snow White parody) before popping round to see the latest "home movie" made by pal Oscar. This leads into a one-page "Charlie Dickens-Type Story" movie pastiche, drawn by Jack Clayton.
Then, in a segue that may have left kids scratching their heads, Cheeky reads his own comic. And the next strip is headed "Here's what Cheeky read..." Which could potentially open a whole can of meta-textual worms.
The strip in question is probably Cheeky's most enduring character: Mustapha Million. Or, to be true to how the title is spelt Mustapha Mi££ion.
Originally drawn by the great Reg Parlett, Mustapha was a boy from some unnamed middle-Eastern country whose father struck oil and had become incredibly rich. The cliché of the rich oil sheik was big in the late 70s and early 80s. Apparently his dad wanted Mustapha to get a proper British education so sent him here and set him up with a mansion full of servants and unlimited wealth.
So the scene is set for Lord Snooty/Richie Rich type shenanigans which an extra dash of hilarious cultural misunderstandings. Pleasingly, from a 21st century perspective, it is actually very light on racist stereotyping on the part of Mustapha himself and is pretty good fun.
Even those belly dancers don't seem offensive.
Mustapha was popular enough not only to move to Whoopee! after Cheeky folded but also to move to Whizzer and Chips after Whoopee! went.
The most pleasant surprise in this issue came when Cheeky sneaked off into the attic to look through his dad's old comics, which results in a reprint of a strip from the Christmas 1952 issue of Film Fun!
I fully support the reprinting of old strips in comics and would've found that fascinating as a child too. It was only a couple of years ago The Beano stopped printing old strips and I would welcome the return. Although I am aware I'm not the target audience any more.
Anyway, here we get the Christmassy adventures of Frank Randle, "famous star of Mancunian films", a comedian who, though a massive star in his day, is almost completely forgotten today.
Here, Frank's comic strip avatar gets a job as a department store Father Christmas...
...before almost immediately getting sacked. But never mind! A series of unlikely events lead to Frank accidentally catching a burglar and it's slap-up feasts all round!
Frank Randle was an interesting chap who, legend has it, pulled all his own teeth out in order to help him pull funny faces. His enormous success lead him a life of hobby-drinking and would often drive his car into walls and policemen would let him off for an autograph. Sadly most of his films, made in and around a former Methodist chapel in Manchester (later the home of the earliest Top of the Popses), no longer exist.
It's also interesting to see how much the style of British humour comics had changed in the 25 years between these two comics. Especially to note how little they've changed (stylistically) in the 37 years since.
Next up: Cheeky goes to the cinema to watch the next thrilling chapter of The Space Family Robinson.
Another mild sci-fi adventure with a very similar premise to The Beezer's The Space Kids, only with a family instead of a group of friends stranded on an alien planet. This week the family tries its hardest to have a normal Christmas on a world with black snow.
Finally, a week has passed so we leave Cheeky and family on New Year's Eve, where Mum has reminded us of the New Year tradition of welcoming the first visitor with a handshake, "but if it's a lady you have to kiss her!"
Cue several panels of Cheeky fretting about having to kiss one of his regular characters and one of Dad fantasising about kissing the sexy lollypop lady, a thought balloon blotted out by the message "Censored by Mum!"
Yes, Cheeky, he of the massive overbite in The Krazy Gang, was granted his own spin-off comic in this year. This was an odd choice for IPC but it paid off with a fondly-remembered comic which lasted until 1980. Strange too that one of the only other comics characters to get their own spin-off was Plug of the Bash Street Kids who was granted his own title by DC Thomson, also in 1977.
Anyway, the comic itself had a unique format, built around a week in the life of the eponymous joker. For starters we'd get a strip of Cheeky wandering around his home town (on his way to school usually) and trading jokes and riddles with the residents.
The various characters tended to lend themselves to different types of joke (there was a GP for doctor doctor jokes, a school dinner lady for bad food jokes, a bizarre sentient door for knock knock jokes) and I'll look at them in more detail some other time.
Then Cheeky would provide a segue into another strip. Here for example, Cheeky wanders over to the headquarters of The Skateboard squad to see what they've got for Christmas...
...before going home to have Christmas dinner with his family. After which he puts on the telly to watch the Christmas Special episode of 6 Million Dollar Gran.
A strip about a "bionic" pensioner and the children she has to look after. Drawn by Ian Knox it was later renamed Robot Granny when Cheeky merged into Whoopee! and the Steve Austin reference grew stale.
Then Cheeky gets a photo taken with all his family before falling asleep reading a thrilling adventure story. We get to see the story, which is the final chapter of a serial strip about a "brave investigator of the supernatural", a suave, chiselled tough guy with the copyright-baiting name of "James Bold". Here, he finally catches the villain known as "The Wolf" before getting some well-earned rest.
Next day, Cheeky goes for a Boxing Day feast with all his friends. Oddly, there seems to be an interloper in the form of long-time children's favourite character Billy Bunter. Not sure who would have owned the rights to Bunter then but I don't think he'd been seen in a British comic for quite some time.
Of course, Bunter's stock in trade was acquiring as much food as possible without paying so he is behaving completely in character by pretending to be Micky Mimic. Even though Micky is a character from Krazy, not Cheeky. But then, Krazy's Pongo Snodgrass is also at the feast.
Incidentally, Blogger's spell-check is questioning my use of "Krazy" and "Pongo" but is completely fine with "Snodgrass".
Next Cheeky takes Baby Burpo to see a pantomime (a two-page Snow White parody) before popping round to see the latest "home movie" made by pal Oscar. This leads into a one-page "Charlie Dickens-Type Story" movie pastiche, drawn by Jack Clayton.
Then, in a segue that may have left kids scratching their heads, Cheeky reads his own comic. And the next strip is headed "Here's what Cheeky read..." Which could potentially open a whole can of meta-textual worms.
The strip in question is probably Cheeky's most enduring character: Mustapha Million. Or, to be true to how the title is spelt Mustapha Mi££ion.
Originally drawn by the great Reg Parlett, Mustapha was a boy from some unnamed middle-Eastern country whose father struck oil and had become incredibly rich. The cliché of the rich oil sheik was big in the late 70s and early 80s. Apparently his dad wanted Mustapha to get a proper British education so sent him here and set him up with a mansion full of servants and unlimited wealth.
So the scene is set for Lord Snooty/Richie Rich type shenanigans which an extra dash of hilarious cultural misunderstandings. Pleasingly, from a 21st century perspective, it is actually very light on racist stereotyping on the part of Mustapha himself and is pretty good fun.
Even those belly dancers don't seem offensive.
Mustapha was popular enough not only to move to Whoopee! after Cheeky folded but also to move to Whizzer and Chips after Whoopee! went.
The most pleasant surprise in this issue came when Cheeky sneaked off into the attic to look through his dad's old comics, which results in a reprint of a strip from the Christmas 1952 issue of Film Fun!
I fully support the reprinting of old strips in comics and would've found that fascinating as a child too. It was only a couple of years ago The Beano stopped printing old strips and I would welcome the return. Although I am aware I'm not the target audience any more.
Anyway, here we get the Christmassy adventures of Frank Randle, "famous star of Mancunian films", a comedian who, though a massive star in his day, is almost completely forgotten today.
Here, Frank's comic strip avatar gets a job as a department store Father Christmas...
...before almost immediately getting sacked. But never mind! A series of unlikely events lead to Frank accidentally catching a burglar and it's slap-up feasts all round!
Frank Randle was an interesting chap who, legend has it, pulled all his own teeth out in order to help him pull funny faces. His enormous success lead him a life of hobby-drinking and would often drive his car into walls and policemen would let him off for an autograph. Sadly most of his films, made in and around a former Methodist chapel in Manchester (later the home of the earliest Top of the Popses), no longer exist.
It's also interesting to see how much the style of British humour comics had changed in the 25 years between these two comics. Especially to note how little they've changed (stylistically) in the 37 years since.
Next up: Cheeky goes to the cinema to watch the next thrilling chapter of The Space Family Robinson.
Another mild sci-fi adventure with a very similar premise to The Beezer's The Space Kids, only with a family instead of a group of friends stranded on an alien planet. This week the family tries its hardest to have a normal Christmas on a world with black snow.
Finally, a week has passed so we leave Cheeky and family on New Year's Eve, where Mum has reminded us of the New Year tradition of welcoming the first visitor with a handshake, "but if it's a lady you have to kiss her!"
Cue several panels of Cheeky fretting about having to kiss one of his regular characters and one of Dad fantasising about kissing the sexy lollypop lady, a thought balloon blotted out by the message "Censored by Mum!"
Bonus: an ad in this issue that may interest fans of 1970s football:
Thursday, 25 December 2014
First Annual Christmas Round-Up!
Christmas is here, so I'm starting a new tradition: A round up of Christmassy images from this year's UK printed comics. There's something for everyone!
Images from The Beano, Private Eye, Doctor Who Adventures, Adventure Time (UK), Funny Monsters, Simpsons Comics Presents Bart & Co., Doctor Who Magazine, Viz
Bonus: My Little Pony Equestria Girls Holiday Special 2014
X Files Xmas Special 2014
Bonus bonus: The first time Dr Who met Santa, for those watching it later:
Images from The Beano, Private Eye, Doctor Who Adventures, Adventure Time (UK), Funny Monsters, Simpsons Comics Presents Bart & Co., Doctor Who Magazine, Viz
Bonus: My Little Pony Equestria Girls Holiday Special 2014
X Files Xmas Special 2014
Bonus bonus: The first time Dr Who met Santa, for those watching it later:
Subscribe to:
Posts (Atom)