Showing posts with label Marvel UK. Show all posts
Showing posts with label Marvel UK. Show all posts

Monday, 11 July 2016

Ghostbusters comics! This doesn't usually happen...

So the new Ghostbusters movie is out now and all the fuss seems to have died down. 

You (I'm sure) will have noticed the furore surrounding the announcement of the remake of the beloved 1984 supernatural comedy, which largely seemed to centre on the fact that the movie would recast the characters as... WOMEN! 

This upset a lot of idiots who hadn't noticed that this was not the first time we'd had female Ghostbusters (see above) but also had the effect of making anyone objecting to the new movie seem like a misogynist, whatever their reasons.
Speaking personally, Ghostbusters remains one of my favourite movies and a large part of that is the heavy nostalgia factor of one who grew up with the spin-off cartoons, toys and (of course) comics.

My initial reaction was that I did not want a remake/reboot/rehash of the original but the closer it got the more interesting it seemed. That first movie aside the franchise has had many ups and downs. Largely downs.
Oddly, the first Ghostbusters comics arrived in the UK and were, of course based on The Real Ghostbusters, the popular cartoon version of the team.

(If you don't know why they had to add the "Real" to their name the quick version is that there was a terrible children's TV show in the mid 1970s called Ghostbusters and the copyright holders were quick to cash in on the use of the name by rushing out an equally terrible cartoon version after the movie came out to trick well-meaning aunts into buying disappointing VHS tapes)

The Real Ghostbusters TV cartoon is one of my favourite things from my childhood and the early series still hold up pretty well (certainly compared to many contemporary shows) owing to some impressive talent involved.

A simplified redesign of the characters (they all had different-coloured hair as well as boiler suits) and easily-identifiable character traits made them distinct characters. Incidentally, Ray's character included him being "the fat one", prefiguring what would happen to Dan Aykroyd. 
Adding a more active version of receptionist Janine and bringing in a cuter version of the "onionhead" ghost from the movie as ghost "pet" Slimer to the already very toyetic firehouse base and emergency vehicle Ecto-1 made the show an instant hit. They even added a helicopter called Ecto-2.
So in 1988 Marvel UK launched The Real Ghostbusters, initially a fortnightly comic, then weekly as of issue 14. It followed a pattern laid out by many similar contemporaries (Transformers and Action Force probably being closest) in that it contained several strips, a letters page, features ("Spengler's Spirit Guide" being the most consistent) a text story and joke page.
Unlike its Marvel UK stablemates there were no US comics to reprint and the nature of the show lead to a much heavier emphasis on comedy than the typical "adventure" strips. There was also the regular "Blimey! It's Slimer" humour strip, drawn by either Bambos or the great Lew Stringer (now there's a guy who can do a comics blog).
Most of the writing was by John Carnell (creator of The Sleeze Brothers, if you remember them) or sometimes Dan Abnett.

Along the way the boys trap ghosts and save the world while still having time to take part in 1988's British charity event Sport Aid. Albeit with an unfortunate colouring choice for Peter's shorts.
"You've popped out again, Alan."

What else can we find in those 80s comics?

Here's the debut of Ecto-3. A Go-kart.
It's no Thunderbird 6.

Here's the canonical introduction of the "Fright Features" outfits worn by the boys in a toy range (I own the Egon in this wave):
Honestly, for some reason Egon was my favourite and this toy had his helmet split down the middle (viddy the line on the art above) to reveal a screaming face and tentacles!

Slimer once went to a job when the others were ill:
That... way of talking was annoyingy-woyingy.

There was one strip I was reading when the design became very familiar to me. I looked at the face of the bystander in this panel and immediately recognised it.
That is art by John Geering, the co-creator of Bananaman, Older readers may also know him from Puss and Boots (in Sparky) or Smudge (in The Beano). Genuinely pleased to see him working here.

At one point Slimer shows his favourite TV show is a Batman '66 parody.
And in The Real Ghostbusters Spring Special you could cut-out-n-keep your own, your very own, Ghostbusters identity card. 
Feel free to download and print this out for your own personal use.

One thing I did not expect, however, was a picture of Bob Carolgees. 
Yep, the creator of Spit the Dog (and Cough the Cat, lest we forget) was also Cilla Black's co-host on '80s British TV make-a-wish show Surprise Surprise (the unexpected hits you between the eyes). It seems for one episode the dream for one lucky spod came true with a surprise (surprise) visit to the Marvel UK offices where the massive nerd who likes comics like a child was also given the chance to draw a strip for them. And that strip was published in The Real Ghostbusters!

Here's the full story if you need it:
It didn't usually happen.

If you want to see the resulting page, here it is:
Yeah... let's be charitable and say "Well done you."

Incidentally take a look at the Carolgees photo again and viddy the spinner rack they chose to represent Marvel UK. Full of Thomas the Tank Engine, Care Bears and Doctor Who Magazine.

But the real stand-out issue of this comic (for me, at least, I have such fond memories of it) was issue 14, the first weekly issue, which devoted the whole issue to one story.
Our story begins with an explorer discovering an ancient mask...
...which takes control of him, turning him into an Aztec god. And soon the world is experiencing weird weather patterns...
The supernatural disturbances seem to centre on a new addition to Central Park...
He he. Ziggurat. That's a fun word to say.

Naturally, the Ghostbusters find the source and...
This, however does not work and instead unleashes your actual apocalypse. You know, four horsemen and all.
And I want to take a moment to genuinely appreciate to design of them. Cos they're ace.

Then Egon makes a suggestion that we have established since day one as a Bad Idea.
Yep. the second time they crossed streams was here. Unlike last time, however, they do (spoiler warning) cross dimensions rather than total protonic inversion.

But never mind that now, that's the end of part one. Next came Spengler's Spirit Guide. Which, this week, was devoted to the horsemen of the apocalypse. Not the first four, but the others.
There's some great jokes in there! The 11th horseman is responsible for odd numbers of socks, broken pencils and Rick Astley.

The centre pages of the issue were a cut-out-n-keep mask of the demon Quetzaltalcum and the text story of the week was Janine and Slimer responding to the bizarre weather caused by the events of the main story.

Back in part two the horsemen ride home only to be revealed as our heroes in disguise.
Get him, boys! 
The archaeologist at the heart of it is rescued and the real demon responsible is revealed.
And there's just enough time for an Evil Dead reference as he is trapped before the story ends.
And even the Blimey! It's Slimer strip tied in to the week's events.
Anyway, the UK comic eventually lead to a short-lived Slimer spin-off.
And when that ended, Slimer took the starring role in a Marvel UK humour comic called It's Wicked (I know, that title really dates it).
(For further cringing about the phrase "It's Wicked" have a look at this completely unrelated BBC kids show from 1987)

So much for the UK but what of the US?

Well, Marvel Comics failed to secure the Ghostbusters rights in America so instead a company called Now Comics made them.

Now Comics was founded in 1985 and produced comics licensed from movie and TV properties almost exclusively. They were responsible for things like Mr T and the T-Force and Married... With Children (yeah, that's right, there was a Married... With Children comic).

The first issue was published just five weeks after the first UK Real Ghostbusters and starts with a slightly surprising reference.
The comic itself was troubled by sloppy editing which lead to colouring and binding errors so does not have as much affection as the UK equivalent. I was going to point out a story I really liked from them, called Ecto-X.
Egon invents a Ghostbusting robot which eventually gets out of control and decides it can bust more efficiently if it gets rid of those pesky human 'busters.
There are some great nightmarish images of our heroes disincorporated in one of their own traps.

Like I said, I was going to mention this as a highlight of the run.... but then I noticed it was actually a reprint from the UK comic as well.

However Now did also produce the comic adaptation of Ghostbusters 2 in 1989. Although, oddly, it still featured the character designs of the Real Ghostbusters.
The Now Comics run ended after 28 issues in 1990 and the Marvel UK comic continued until 1992. 

Skip forward to 2004 when a Canadian company called 88MPH Studios published a well-received four-part Ghostbusters comic, intending it to kick off a series based in the continuity of the original movie. However the company soon collapsed so that never happened.

Japanese publisher Tokoyopop gave us a one-off manga in 2008 but Ghostbusters really return to comics glory in 2011 thanks to IDW.
IDW, like Now, is a company that specialises in picking up licenced properties but also treats them and their fans with respect.
Again, these new comics were set in the universe of the movies and featured great new character designs by Dan Schoening. Various writers worked on the first miniseries but the ongoing is written (with a great ear for the characters' dialogue) by Erik Burnham.

Along with expanding the world of the original (following the cartoon's example of giving Janine a more active role) and bringing in more characters to increase diversity (currently the Ghostbusters brand has been expanded to an international franchise) the best thing has been... THE CROSSOVERS!
I love a good crossover, I do. When characters from different franchises meet. The weirder the better. As IDW has some very disparate properties it means that not only can our gang meet the Teenage Mutant Ninja Turtles but also The X Files' Lone Gunmen.
And in one of their strangest Summer events they even busted the ghost of an alien from Mars Attacks!
There are plenty of in-jokes and stuff to delight the die-hard fan of the boys from the firehouse. For example you may know that the original "Slimer" ghost was thought of by Dan Aykrord to be the ghost of his friend John Belushi. Now, in the comics he is not the pet/mascot he was in The Real but is once again a malevolent spirit. Ray, however does have a helpful spirit guide who comes to him in dreams.
Yeah, that's right. He looks like Jake Blues.

I'll leave you with my two favourite things they have (so far) done in this comic. First, in this year's "Deviations" event we are shown an alternate world where the original movie ended with Gozer the Gozerian winning. So has now taken control of the world. But is stuck in the form of a giant marshmallow.
And, lastly, in 2015 they gave me the crossover I didn't realise I'd always wanted!
Dimension-hopping demons lead to the Ghostbusters meeting The Real Ghostbusters! It was a hoot.

That's it. I'm off to see the new movie.

Tuesday, 15 December 2015

Something about that Space Wars thing everyone's talking about


It could hardly have escaped your notice (you *are* a person reading a comics blog) that there is a new Star Wars movie out this week.

I wanted to write something that ties in but I'm very aware that Lucas' greatest non-archaeologist creation is *extremely* well represented on the internet. Every odd spin-off and tie-in has been analysed and re-analysed by a billion bloggers before me so instead I'll just give a brief rundown before showing one of my favourite comic strips' take on the movies.

Star Wars comics first arrived published by Marvel in July 1977, the first few issues being a retelling of the movie, adapted by Roy Thomas with art by Howard Chaykin.
I love the "Marvel Style" of this era and its ridiculous hyperbole. "Will he SAVE the galaxy or DESTROY it?" That means nothing but looks cool on a cover. 

Darth Vader's helmet looks very off-model at this point too.

Viddy the cover of issue two with its take on the cantina scene:
WAY more exciting.

The history of movie tie-in comics at this point was not great. They were usually badly put together by people who had not seen the film, sometimes with little idea of the film was. 

While researching this blog I came across this truly amazing example of a Chinese comic (or illustrated story) based on Star Wars that strays so far from the original as to create its own fascinating art.

Nobody knew how big a cash cow Star Wars would be for anyone at this point so when Star Wars (Episode IV) hit big, bigger than pretty much anything ever, Marvel found themselves with a major hit comic.

So, from issue 7 on the comic gave us new adventure with the characters, following directly on from the events of the film. Lucas had requested the minimal use of Luke and Leia (perhaps because he was working on their familial relationship) so Thomas and Chaykin gave us mainly stories featuring Han, Chewy and new characters.

One character that Lucas objected to was called Jaxxon and first appeared in issue 8. Jaxxon was a smuggler from Coachelle Prime who agreed to help Han on a job in return for help fixing his spacecraft. Oh, and he looked like a six-foot humanoid green rabbit.
Now readers of a certain age and/or with a certain level of cultural awareness might look at Jaxxon, a humanoid green rabbit in a red jump-suit with a blaster...
and note his similarity to Bucky O'Hare, a humanoid green rabbit in a red jump-suit with a blaster.
But this *really* does seem to be a bizarre coincidence. Bucky's creator, Larry Hama, was originally working on the character while working at DC in 1978 before a legal argument scuppered plans to publish. His first appearance (seen above) was published by Continuity Comics in 1984, by which time Jaxxon had long since been buried. 

Now, let's croak us some toads:
Man, that is 90s as hell.

Jaxxon did eventually resurface as a joke on one of the alternate covers for Marvel's new Star Wars issue 1 earlier this year.
Meanwhile, the comics I remember from my childhood were published by Marvel UK, in the larger format we Brits are more used to.
Dig that "Valuable first issue!" And the more sedate printing of the strap-line. 

The British expectation of anthology comics meant the main Star Wars strip was backed up with other Marvel-owned strips, including Micronauts, Deathlok, Adam Warlock and some now-forgotten team of space adventurers called Guardians of the Galaxy.

Marvel continued publishing Star Wars comics (including adaptations of the other movies and tie-ins to Droids and Ewoks) until their licence expired in 1987. 

Dark Horse picked up the licence in 1991 and started by publishing the mini-series Dark Empire.
Dark Horse did lots of amazing things with the licence, taking the franchise forward in many interesting ways. Even when the prequel movies were released they could still claim their continuations were the official, canonical future of the Star Wars universe. And the fans were very happy with that.

Until the purchase of Star Wars by Disney (by now also the owners of Marvel) and the announcement of new movies and Marvel comics. So now all those stories "don't count".

So, I'm glad I never bothered with them.

The only DH Star Wars comics I remember reading was Tag and Bink Are Dead and its sequels.
A fun romp originally written by Kevin Rubio and drawn by Lucas Marangon it shows two minor Jedi (Jedis? Never pluralised it before) as they accidentally stumble through various key scenes from the original movies. Like Stoppard's Rosencrantz and Guildenstern. Or Timon and Pumba in Lion King 3.

Anyway, Star Wars comics are back being published by Marvel and being written and drawn by the best modern comics have to offer and they are really, really good, which, speaking as a guy way more into Trek than Wars, is delightful. I've spent most of my life utterly indifferent to the franchise so it's nice to feel excited again.

Now, as promised, here's one of my favourites. Berkeley Breathed's Bloom County.
At the time Return of the Jedi was released, Breathed put his characters into a week-long Star Wars pastiche, taking pot-shots at the marketing tie-in along the way.
Perpetual dreamer Binkley views himself as Luke and his penguin pal Opus is as useless as ever as Artoo.
Vietnam vet Cutter John (more commonly seen as captain of the Enterprise in Bloom County's Star Trek fantasies) is seen as Han, his wheelchair having become a speeder bike.
Shady lawyer Steve Dallas is the villain, representing the snide critical opinions of the day.
And finally, Binkley confronts George Lucas himself. It's fun to note here the 1998 was the year the FIRST of the prequels came out, the plans for the third trilogy (at that time) having been abandonned. Imagine if Binkley had known he'd have wait a further 17 years for the final sequence to start.

HAPPY LIFE DAY EVERYBODY!!